Sounds great!

Let's try that one more time.

Well, I suppose if I have to sound like somebody, better Larry Carlton than Brett Michaels......thanks!  I don't own Last Night, but I'll be sure to get a copy.
Just a stock 06 Les Paul standard into an
un-modded S and M 50 watt plugged into a two rock 1x12 speaker cab.
Rock switch on, all others off, everything else at 12 o clock except the overdrive on 9 o clock.  Kleinulator, nanoverb, and Suhr Mini Mix in the loop.  Volume was a bit below average speaking level.
 A bit of line six delay on the floor before the input.
The Mini Mix made an ENORMOUS difference in the way the amp responded.  Without it, even with the Klein, the amp was rather flat and unresponsive with the Nanoverb in series. 

Tony, that was really cool.

Your clip confirms that I prefer the S&M version!

Great tone and playing! really enjoyed it.

Marin,
Thanks so much.  I wasn't looking for a new amp or had even heard of Ceriatone when I stumbled on one of your youtubes , and was struck by your stellar tone.    I always thought a lot o the Dumble magic was in the  upper harmonics, so I went for the S and M, with parts to mod to the standard OTS if I didn't like it.  The HRM/non HRM clip was particularly helpful.  I couldn't be happier with my choice.

To answer your questions,
1-It's a regular minimix.  I probably should have gone for the 2, and used it to go direct into some of my other amps with out a loop, but I got lazy and couldn't find any stores that had them in stock last week.
2-Send of amp>Klein running mini mix in send and return>nanoverb in loop of klein
3-Yes, 100% wet, regulate reverb with nano output
4- I like having the line 6 on the floor, and don't want to run all the extra cable to get to the loop.  Also,  i prefer the sound of the delay distortion to vary with volume like the guitar does.  Using a ducking type delay setting is critical when using distortion to keep things from getting too mucky.
5-see 3
6-The amp sounds great without the klein, but a little smoother and better with. Other alternatives considered would to either use a wet monitor, or easier, a 2X12 (stereo cab)with a second speaker powered by a small clean amp w. reverb (inside the cab) running from the mic'd first speaker,.... but it all gets so complicated and heavy.  Minimix was simplest alternative, with acceptable result.
Most critical element...I read somewhere that Robben Ford plays very lightly, and only digs in with the right hand for emphasis.  This amp in particular seems to really like that approach, as opposed to say, a cranked Fender, which seems to respond well to, say a Stevie Ray right hand with lots of muscle.