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Author Topic: Overtone Soundclips  (Read 675660 times)
tony d
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« Reply #435 on: April 15, 2009, 11:48:07 AM »

a politically uncorrect tone with the Overtone HRM  Grin


Marin,
Superb playing and tone, as always.....
Did you ever blend the HRM and S and M for a 2 amp tone?  I'd be interested to see if they play well together.
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JohnE
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« Reply #436 on: April 15, 2009, 04:35:35 PM »

Thanks Steven,
That's a parts telecaster with very lightly laquered very fat neck and 1 piece very light  swamp ash body cut by USA custom guitars, w Fralin medium powered blues pickups, and Vintique Bridge and neck attachment assembly.  The volume and tone of the guitar are on about 8 and 3 respectively, and the amp is on rock, no boosts, with all knobs about noon, except for the master vol, which is barely on.  kleinulator, minimix w lexicon lxp 1 in the loop and line 6 dd4 on the floor between the guitar and amp goinig into a TWO ROCK12-65 12 inch speaker.
No Boosts? I can hear a bit of clipping or what sounds like a touch of OD that I would not get from my amp with those settings. Is it the Klein that is giving it that little push?  Great touch and phrasing!
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tony d
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« Reply #437 on: April 15, 2009, 04:58:17 PM »

I'm sorry if I wasn't clear....I'm on the overdrive channel.  Since it was recorded at speaking volume, there is no power tube saturation.   I'm not thrilled about the compromises that need to be made when channel switching any amp which shares tone stacks, so I've got the CT going into one speaker of a 2 x 12 and a TR custom reverb set for clean in the other one, blended with an EB pan pedal.  I had problems at first going directly into the 2 amps from my Line 6 DD4 (parasitic oscillation, loss of signal), but solved it last week with a Lehle red 2 amp switcher at the end of the chain.  The TR was off for this clip.

This amp seems to be all about keeping a very controlled, light right hand, and a bit of palm muting to keep the unwanted strings behaved.  The Klein does very little, other than smooth out the highs, make the signal a bit fatter, and make it possible to use reverb in the loop.   I try to find the spot where it starts to break up at about 2/3 volume on the guitar pot with average right hand pressure and go from there.  The comping in the clip was done in the OD channel, with the volume of the guitar turned down a bit....not ideal clean, but serviceable. 
 By boosts, I mean no mid boost, or Deep boost, which Nik was kind enough to install in the FET input spot.
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JohnE
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« Reply #438 on: April 16, 2009, 11:00:48 PM »

Got it, all makes sense. Thanks.
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erwin_ve
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« Reply #439 on: April 18, 2009, 09:56:09 AM »

Yesterday I had a testdrive with my new USB soundcard.
Ceriatone Overtone Special 50 +dumblelator + Rocktron Replifex+ Strat with SD 57jr in bridge.
I was really lazy and laid back as usual Grin
Enjoy! www.e-noize.nl/goodies/Lazy_Bastard_Blues.mp3

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Steven_nl
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« Reply #440 on: April 18, 2009, 10:56:14 AM »

Hey Erwin: cool clip!
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Franne500
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« Reply #441 on: April 18, 2009, 06:18:22 PM »

Hi all,

Some very, very cool clips in here ! Thanx a lot ! Smiley

I just had an idea...Wouldn't it be a great if all who wanted to join could play over the same back track ? That way we could share cool ideas/riffs and maybe get  some cool new ideas of playing our favorite amp ?
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"i used to jog - But the ice cubes kept falling out of my drink !"
marinblues
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« Reply #442 on: April 19, 2009, 04:09:30 PM »

I've just discovered that the HRM has a clean channel too!  Cheesy It does the smooth jazz thing quite well:

..........


marin
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marinblues
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« Reply #443 on: April 19, 2009, 04:10:48 PM »

a politically uncorrect tone with the Overtone HRM  Grin


Marin,
Superb playing and tone, as always.....
Did you ever blend the HRM and S and M for a 2 amp tone?  I'd be interested to see if they play well together.

thanks Tony. I've never tried. What would be the easiest way to do that?

marin
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tony d
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« Reply #444 on: April 19, 2009, 05:31:42 PM »

Nice clip...I love the clean channel on my S and M too.
There are a few ways to split the signal, some simpler, some better.
Simplest way is to go in series through anything with a stereo out.
I did this for years, until I realized I was losing some signal and getting some signal going the wrong way
out of the 2 amps.  Problem was solved last week by getting a quality signal splitter, that has
transformers, etc to avoid those problems.
It's especially nice to blend clean signal on one amp with overdrive of other, or two different overdrives.
Santana does that these days with a Boogie and a Dumble, Bonamassa does it with a Marshall and one of 3 different amps, Pevar does it with dozens of combinations, Gillmore did it all the time, etc..  Hard to go back to one amp after you get used to it.
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Kieryn
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« Reply #445 on: April 25, 2009, 08:19:22 AM »

Any one done comparisons between the HRM or...other dumbly sound spitters with any Two Rocks?  Got a possible payplan option on a very nice 2-rock(onyx combo) from my bro which would carry me away from Ceriatone land for a while at least.
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hywelg
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« Reply #446 on: April 25, 2009, 08:40:24 AM »

I remember John Edmonds reporting here that he has now sold both his TR's sicne getting the OTS. Maybe drop him a PM

http://ceriatoneforum.com/index.php?action=profile;u=745
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marinblues
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« Reply #447 on: April 28, 2009, 09:14:29 AM »

Some mean Rock-Funk! Wink



marin
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erwin_ve
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« Reply #448 on: April 29, 2009, 08:06:11 AM »

Last week I did some jazz with the Overtone Special; comping with clean channel, 1st solo clean channel, 2nd solo with OD channel. No PAB used in this recording.
Enjoy!

www.e-noize.nl/goodies/StellabyLedlight.mp3
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hywelg
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« Reply #449 on: April 29, 2009, 09:17:27 AM »


Enjoy!


I did. Thanks
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