If you want to try and taste, my new setting to get the ultimate Bonamassa tone:

O'Clock

Gain : 3
Fet: 3
Negative feedback both toggle switches in the middle position
Rock on
Deep off
Bright off
Mid boost on
treble: 9
mid: 3
bass: 2
Filter: both in one before the last position
Presence 10
Both pedal boost engaged
Master as you want

On the c lator, no bright engaged. All knobs at noon

Add some reverb and delay

For me and a Blackstar Artisan V30 and Gibson les Paul Supreme, this the best configuration.

My Gear

My pedal board and setting a la Bonamassa

Hello guys,

I play this monster for one year.
I wanted an amp to play Bonamassa and Mayer and many others
I spent a lot of time tryiny all the setting to get the right sound

So this is my gear with settings

Gibson Les Paul Supreme 2004
fender strat US deluxe HSS
Blackstar Artisan 4x12 V30

AND Ceriatone SSS

Gain 8
Fet 5
Rock
No Deep
No Mid Boost
No Treble Boost
Treble 3
Mid 5
Bass 5
Filter High one before the last position ( roll off the high end)
Filter Low two before the last position ( tight the bass)
Presence 3

both negative feedback on maximum gain

I also use a clator
All knobs at noon

With strat first bright switch engaged and only one
With Les Paul desangaged the first and engaged the second

I use the footswitch to boost the gain and the mid as needed.

Those settings give a very nice creamy sound with the les Paul a la Bonamassa
and a very clean to crunch sound with the strat