Man those two amps together look so cool. You are one lucky man.
Marin one request...you don't have to do it right away
If you could record both amps, same guitar, same speaker, similar voicing/gain in one clip. Something like A/B thing. This would really give us a fair chance to see the difference between non HRM and HRM.
...and of course, we want a full blown review.
I will do.
I have replaced the original clip with a better one. Check the first thread!
I did a quick clip just now (see thread). The Axe-Fx works great in the loop, its really transparent (I still don't know how to programe the damn thing!).
Marin which one do you like best G12-65 or Greenback?
Don't know....I haven't tried the Greenback long enough and it still hasn't broken in. The G12-65 has more bass and rolled off highs so it all depends on the particular tone you might be going for at a particular moment.
The G12-65 is stylish and smooth.
The Greenback is live and "dirty".
Quote
For me the best sound happens when both are used at the same time.
I was thinking that too. A 2x12 with both speakers in it.
My Greenback cab and speaker has arrived to here's a quick sample. Its agressive and responsive compared to the G12-65. I like it. Its brand new so needs to break in.
Yes, because replicating one specific two-rock tone is the test for versatility...
i find it funny that most others in this thread see my point but you are having trouble understanding. you either dont understand, which makes you dumb, or you do understand but take issue with it, which makes you a sad individual... which one is it?
By the way, the Overtone doesn't do Vox, Soldano or Engl tones either.
Thats because the dumble wasnt based on vox, soldano or engl circuits. dont be so condescending, it makes you look like a wanker, and we wouldn't want that.
I presume the Overtone was meant to be a dumble clone. Like all derivates or original (which, by the way has never been static), it has its own flavour, flaws, positives, negatives, circuit variances and so on.
I am almost certain that it was not meant to be a clone of another clone.
Me too.
Look, forget i posted that video. get the two rock and mayer out of your head...i dont want to be mayer, i dont even like the guy.
I wanted to know if the OTS can do blues tones, and i used a video of a similar amp to HELP YOU understand where i was coming from, and now you're trying to insult me about it
My advice is that you save up 5000$ for a Two Rock, buy a Fender Mayer guitar because it will have the same pickups and begin practising your chops to replicate Mayer's.
Anything else will not be versatile enough for you. No pun intended.
M.
and my advice is you forget this thread ever existed, you are getting way too defensive about this, and you're coming across as a real dickhead
they don't question the versatility of the amp, they question the versatility of the videos posted. there is a difference
Yes, because replicating one specific two-rock tone is the test for versatility...
By the way, the Overtone doesn't do Vox, Soldano or Engl tones either.
I presume the Overtone was meant to be a dumble clone. Like all derivates or original (which, by the way has never been static), it has its own flavour, flaws, positives, negatives, circuit variances and so on.
I am almost certain that it was not meant to be a clone of another clone.
My advice is that you save up 5000$ for a Two Rock, buy a Fender Mayer guitar because it will have the same pickups and begin practising your chops to replicate Mayer's.
Anything else will not be versatile enough for you. No pun intended.
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