I love to tinker with a soldering iron myself. But there are more pounds of parts stuffed in a D-clone chassis than Dolly's boobs in one of her industrial strength over the shoulder boulder holders.
I had mine delivered fully assembled. Bluesmaster? Plasticvonaband has one. The HRM has IMHO such a wide variety of tone palette, with V1 tube rolling you can get some of that BF sound, Sylvania long grayplate, 12ax7, and it would be ignorant to ignore the GE shortplate 12ax7a/7025, a fave of HAD's. The classic Fender BF V1 is going to be either an RCA 7025 type or 12ax7a/7025. All bets are off in a combo, the head setup is the one to use old glass in, don't need to shake the grids like a belly dancer with a combo setup's speaker providing extra excitation...
Did someone say my name again?
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As far as the cleans go, the Bluesmaster has more of a BF/Tweed Fender Bassman/Marshall JTM 45 thing going, especially if you use older GE preamp tubes. The cleans can go from BF Fender to Tweed Bassman depending on how you set the tone controls. The mids are more scooped than the rest of the OTS series, which gives it the BF vibe, but it also has a huge bass response, which can push it into Bassman territory, especially when you push the clean channel hard either with a nice boost pedal, or with the internal PAB and cranking the preamp and master. big, bold, with awesome overdrive!
The OD side is more marshally, and can go from JTM45 to early plexi depending on how you push the drive, OD Trim, or if you have the PAB set up like the original Bluesmaster amp with a 22M resistor vs 68k resistor. The 22M resistor provides even more of a boost to the HRM tonestack. ideally the PAB should be engaged when using the drive channel, otherwise you are going through two tonestacks and things can get muddy.
here's some thoughts on ther Bluesmaster from TGP posted by user erwin_ve
Blues Master. Think raw early Fender/Marshall
tone on steroids. The tone stack is decidedly bassman territory,
however because of Dumbles many other difference it is far better IMO.
The cleans here are the best cleans I think I have ever heard, dumble
or otherwise. The cleans will sing and sustain!!! The OD is much less smooth and much less compressed than the above amps. It has some early Marshall vibe to it. Boosted cleans with this amp are to die for. The OD is a bit more raw and edgy then some of the other offerings but with boosted cleans you get the smooth side of things and with the OD you have a less polite and refined tone.
Somewhat like the first Dumbles, though different. Lots of punch, sustain and singing but not as smooth as some of the other offerings. This one can be thick and dense too. Not dark and crappy, just "meaty"...
Open clean cleans to mean and a little rude.
Big fat sick blues machine. Lots of character or soul. This amp will try and steal you girl.Like a tuxedo on a cowboy?.... It can play nice but it can still stomp in the dirt.
Overtone HRM Bluesmaster
Overtone HRM Bluesmaster 100
This amp is completely different. It has different cleans compared to amps above... cleans are more mid scooped, more fendery if you wish but with a lot of low end. This amp possesses a punch like no other amp. Again not as much OD as nonHRM, this amp makes you work for the tone too (very dynamic).
Hope this helps!
Gregg