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Author Topic: Trouble setting PI balance at 6VDC  (Read 17603 times)
sonicmojo
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« on: April 04, 2011, 07:51:02 PM »

All, I just got a new gold pin JJ "balanced" tube for the PI slot in my BM50.  I coudn't set the PI trim any closer than +15V even moving the dial all the way left so I reverted back to the prior tube which was easy to get back to the recommended +6V.  In fact, moving the dial either way had little effect on the voltages with this particular tube.  Is this something that happens with some tubes?  I don't have any good test tools other than my meter but is it possible that my new tube is way off or something?
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SoundPerf
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« Reply #1 on: April 05, 2011, 12:48:20 AM »

Ah, the dreaded phase inverter adjustment. The problem with this whole issue is that what really needs to be measured here is AC voltage and not DC. But without a scope it's rather difficult to get good AC measurements. Wiith my balanced tube, getting a DC voltage swing like the manual states and like you're seeing was impossible. Atleast with the size trimmer on the amp. But it's quite visually and measurably noticable observing the AC shift with a scope.

What I did and my only advice would be to put back in the balanced tube and set the trimmer at halfway, then move it CW when facing the trimmer from the PI tube in small increments while strumming a chord with some nice harmonic content going and see if there's a position that makes the chord and then notes ring longer/better. IMHO, it's all very subjective, and if you think the old tube sounds "better" (and where you had it set) then that's what is best.

I have mine set about 1:00 facing the trimmer or 11:00 looking at the trimmer from the front of the amp.
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Chris

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bluesfendermanblues
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« Reply #2 on: April 05, 2011, 06:12:28 AM »

You can adjust the PI trimmer without a scope.

Inject a sine wave signal ~ 400Hz -1000Hz at the amp input (or at power amp input, labeled 'return') and measure the AC voltage at the power tube grids. I set it about 20-30 v AC -between the grids - and use the trim to set each grid the same -measured from grid to ground. Don't forget the dummy load on the speaker out. I use a 10 watt 8 ohm resistor. It gets a little hot, but thats not an issue since the whole procedure takes about 2-5minutes.

This gives you the correct balance, with max signal possible out off the PI. And it'll look great on the scope.

Mark the trimmer position with a pen.

Remove the dummy load and connect your guitar. Turn up the amp volume and presence pot, carefully rub the strings with your palm and slowly try adjusting the trim around the point you marked, listening for max amount of harmonics.
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SoundPerf
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« Reply #3 on: April 05, 2011, 03:53:57 PM »

Remove the dummy load and connect your guitar. Turn up the amp volume and presence pot, carefully rub the strings with your palm and slowly try adjusting the trim around the point you marked, listening for max amount of harmonics.
Hey blues, do you use the clean channel or OD channel when rubbing the strings? I guess my question is...overall is there settings aside from presence (ie: gain levels, rock/jazz switch, etc.) that makes it easier to hear the "sweet spot"? I used the OD channel when adjusting, but didn't know for sure what was best.
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Chris

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sonicmojo
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« Reply #4 on: April 05, 2011, 04:13:12 PM »

Thanks for the tips!  I didn't think to use my ears for this, but I will for sure be giving that a try.  Now to take it back out of the head cab for about the 5th time this week.....
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bluesfendermanblues
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« Reply #5 on: April 05, 2011, 09:43:57 PM »

Remove the dummy load and connect your guitar. Turn up the amp volume and presence pot, carefully rub the strings with your palm and slowly try adjusting the trim around the point you marked, listening for max amount of harmonics.
Hey blues, do you use the clean channel or OD channel when rubbing the strings? I guess my question is...overall is there settings aside from presence (ie: gain levels, rock/jazz switch, etc.) that makes it easier to hear the "sweet spot"? I used the OD channel when adjusting, but didn't know for sure what was best.

I'm not an expert on the subject, but I guess you can use both. I you use the clean channel, listen for sparkle in open G chord. If you use the OD listen for the OD overtones or even feedback.....the point where you can feedback easily is THE point.

Many people try to turn this subject into a Dumble voodoo for the selected few. IMO it's not that hard to adjust. It takes max 5 min. after the get the chassis out of the head cab.
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SoundPerf
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« Reply #6 on: April 05, 2011, 11:15:38 PM »

I'm not an expert on the subject, but I guess you can use both. I you use the clean channel, listen for sparkle in open G chord. If you use the OD listen for the OD overtones or even feedback.....the point where you can feedback easily is THE point.

Many people try to turn this subject into a Dumble voodoo for the selected few. IMO it's not that hard to adjust. It takes max 5 min. after the get the chassis out of the head cab.
Yeah, I don't think it's voodoo. It does take a certain tool & skill set to do it. But after that it's nothing.

I'm pretty sure I have it set where it's best. The only thing is, I hear some clips where the amp is about to feedback or "bloom" at will and what appears to be at lower volume (or gain level). I can't get that happening (atleast not yet) with my amp.

I think I read that the HRM circuit isn't as quick to do this. Is this correct?

I can say I've noticed the more I play it the more it seems to be relaxing and getting closer to the tone of some of the killer clips I hear.
« Last Edit: April 06, 2011, 02:56:03 AM by SoundPerf » Logged

Chris

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bluesfendermanblues
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« Reply #7 on: April 06, 2011, 04:53:16 AM »

.... read that the HRM circuit isn't as quick to do this. Is this correct?

Thats right, at least thats my experience. Think it's due to the fact that the HRM and BM has a little less midrange than the Standard (RF) amp.

However, the HRM's (Bluesmaster and HRM) seem to blend in more easily. I usually bring my Bluesmaster to rehersals or gigs, but love to play the standard amps at home with feedback and all. Te Standard amps are more of a soloist amp - think RF or Santana.

Using a Dumbleator relly helps the amps to breath and feedback at low volumes, because you run the master(s) around noon and adjust master level on the Dumbleator.

...noticed the more I play it the more it seems to be relaxing and getting closer to the tone of some of the killer clips I hear.

Yep, this is a fact. A new amp sounds harsh, but after a couple of months of exercise, it mellows and opens up nicely.
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SoundPerf
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« Reply #8 on: April 06, 2011, 05:16:29 PM »

Yep, the D-lator is next on my list!! I'm either buiding from scratch or getting the C-lator kit.
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Chris

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T Wilcox
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« Reply #9 on: April 07, 2011, 06:05:36 PM »

Hey I played with my PI yesterday, I also adjusted the phase inverter. Cheesy
I decided to just play with it until it sounded good to me. I ended up at about 1:00 exactly just like Soundperf, or 11:00 from the front. I used only the clean channel and rubbed palm on strings as suggested to listen for harmonics and around the 1:00 mark is where I heard the most. Very subtle change though. I am surprised I ended in the same spot as Soundperf though because the setting should depend on the tube in V3.
Anyways guys thank you for taking most of the guess work out of this for me.

Todd
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sonicmojo
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« Reply #10 on: April 07, 2011, 09:03:07 PM »

 I also ended up in the same spot, more or less, at around +8DC at V3A.  For whatever reason I get a lot more of the "bloom" on higher "A" notes (especially 10th fret, B string) and that's what I used to gauge it.  Go figure.  We'll see if other notes come out as my amp burns in, but I've vowed to stop tweaking for a while and actually play again!
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bluesfendermanblues
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« Reply #11 on: April 07, 2011, 10:03:23 PM »

Wilcox and Mojo,

Great you found the sweet spot on your PI's - now lets play!!
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SoundPerf
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« Reply #12 on: April 08, 2011, 04:17:52 AM »

Cool guys, glad you got it.  It is a subtle thing for sure, but it is noticable.

sonicmojo, the 10th fret B string does seem to be a good spot to get loads of bloom. I don't know if it's the frequency or a very resonant part of most necks.

Todd, very likely our tubes are balance closely and of the same gain. Just guess'n....

I finally got some interest in another amp I'm selling so I can get some speakers to fill my Avatar open back cab. Supposedly this guy will have the money tomorrow. I will have to go a few days without playing the OTS because the speaker I'm using now is in the amp being sold.

I'm gonna be jones'n for a bit. Hopfully WGS speakers have fast shipping. Grin
« Last Edit: April 08, 2011, 04:26:59 AM by SoundPerf » Logged

Chris

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johanare
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« Reply #13 on: April 08, 2011, 11:27:06 AM »

As I'll swap the power tubes in my amp I guess I have to check both bias and trim the PI, correct?
 
I don't have the equipment (scope and all) but I'll try to do it by ear.
Hopefully I'll find the G-spot Grin Grin Chair Dance
(8th fret of B-string)
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T Wilcox
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« Reply #14 on: April 08, 2011, 12:57:14 PM »

I just ordered a vet 30 from WGS on 4-6-11 and ups shows it arriving on the 13th so its about a week.
Got an acoustic?
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