Everyone seems to have some really nice tones and good selections.  After playing my amp some more I am building a new board.  Here is what will make the final cut:  Amp->Tuner->Wilson Freaker Wah->Fulltone OCD->Wilson Deluxe Haze Vibe with one of his Fuz Pedals built in to the same housing (prototype 1of1 should be cool!) -> Red Llama -> VanAmps SoleMate Spring Reverb Unit    ->guitar.  The I will just be running a delay in the C-Lator.  I have to sell my DD7 because it does way too much for me.  I will be using a AquaPuss I think.

My board starts with a Fulltone Clyde Deluxe>Monsterpiece STUD ( a real nice sounding Klone by Richard Coibion - great guy too!)>Timmy>Ernie Ball VP Jr 6180>100watt Ceriatone HRM BM of which I'm constantly learning more about with each gig and of course the tremendous resource of this forum. I also have a Tech MIDI mouse triggering a TC Electronics M 300 (which I'll upgrade at some point -  I use it mostly for reverb and some delay, with this amp you don't need much in the effects department for great sounds as you all know). I have the PAB on most of the time and go between the clean sound and OD depending. I use the Timmy for a slightly OD sound and the STUD for a clean boost as well as kicking the OD channel up a knotch.
This is a great forum with the best contributors!

Funny you should mention that. Along with downsizing my board to just a BYOC ESV Fuzz and Boosta Grande in the front, and the space echo and holy grail in the loop, I'm actually ordering the tri boost from BYOC. Switchable Germanium Boost (rangemaster), Silicone Linear Boost, and JFET boost all in one. I think once I get that one of their wahs, and their 2 knob chorus, I'll have all I want. I've been mainly using the normal channel boosted using the Boosta Grande and Mega PAB or fuzz or all of em over the OD lately.

Most of the time...guitar>Area 51 Wah>Hilton Volume Pedal>50wHRM or 50w OTS head.  OTS does not use a __lator, HRM does.  

On OTS fx send > TC Electronics Nova pedal> fx return.   For HRM everything else the same except that a C-lator with a Siemens longplate 12ax7 hiding inside for the secret weapon sauce.

I consider speakers/cabs to be effects if they are not part of an OEM build as a commercially procuced combo amp or dedicated external cab since they can be so variable in their design and overall effct on the volume and tone palette...  

So opening that can of worms, here goes the cab list excluding a few combo amps whick I could plug either head into:  1/15 OB/Altec 418B 16 ohms, 1/15 OB /Magnavox P232 8 ohms, 1/15 vintage semi closed back/Jensen Vibranto 15 8 ohms, 2/15 semi closed back/JBLG135 16 ohms, 2/12 D-style OB/Jensen Vibranto 12's 16 ohms, 2/12 D-style OB/custom hemp reconed Altec 600b's 16 ohms, old Peavey 2/12 modded to semi closed back/JBL g125's 16 ohms, Leslie G27 guitar cab w/ fast, slow, on, off speeds 8 ohms.  Man you oughta hear a sustained singing note when you turn on that spin in a Leslie, and on the lead channel if set aggressively the grind coming out of the horn will give you goose bumps.

Thanks, Stephen! I do alot of finger picking too, and alot of thumbpick/steel finger pick playing like Freddy King. Glad to see there is someone else out there that does!

The Triboost has a 3 way toggle on it as wee for the germanium setting. I was originally looking at either the Java Boost or Analogman's version of the Beano Boost, but since the Tri boost has three different clean boosts in it, it wins! I'll have to look into that Teese Wah. Sounds like a winner!

Gregg