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Author Topic: Calling all OTS Owners: What pedals and what music are you playing  (Read 19003 times)
IndySouthPaw
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« on: January 24, 2012, 04:19:18 PM »
Ok all:  I thought this would be fun to list your pedal chains for your OTSs and C/D Lators and what type of music you play.  Lets also share settings.  The reason being, is on youtube, everyone is playing slow jazz (which I like) but these amps can also rock!  I have been very surprised with the versatility.  I will go first with my pedal chain so far....please don't be embarrassed.  There will always be someone with bigger and better pedals. 
My set up is simple and I wish I had others but it gets the job done. 
In the front chain:  hardwire multitune -> old crybaby way-> love pedal MagicBoy Vibe -> Ibanez TS808 -> Fulltone OCD -> Hendrix handwired FuzFace.  In the C-Lator:  Boss DD7 -> tc electronics Hall of Fame Reverb

Wish List:  Strymon Blue Sky Reverb, 60s vibe univibe, Wampler Plexi Drive
I play blues, rock, psychedelic rock, latin and hippie jam band stuff like Phish, Dead, Widespread. 
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bobtastik
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« Reply #1 on: January 24, 2012, 04:38:50 PM »
Video of me using my HRM Link below:



You are right, it doesnt have to be Jazz !

Boss CE-5, Maxon OD-808 and Cry Baby up front, with Boss RDD-20 Delay in Loop, No Kleinulator/Buffer
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Birmingham UK
Ceriatone OTS HRM 50 Head
Marshall JMP50 Mk2 master Model
Gibson R7 Historic
Tokai Springy Sound
Atlas Custom Les Paul
tboulette
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« Reply #2 on: January 24, 2012, 06:08:13 PM »
I just got my OTS last month, so I'm still messing around with my setup, but right now:

EB Volume Pedal - Teese RMC3 wah - homemade germanium FF (fuller mods) - OTS FM100, 2x12 cab with EVM-12Ls.

In the C-lator:  Chandler Stereo (but in mono, of course!) Echo - Lexicon MPX-200 for 'verb.

I've got Blackstone MOSFET Overdrive that I'd like to put in there somewhere for a little Marshall flavor.  Ideally it should be first. I've also just built a clean boost pedal that may see some use.
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-Tim

OTS FM100 head with matching 2x12 cab; self-built 18 Watt TMB 2x12 combo
citizen
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« Reply #3 on: January 24, 2012, 07:22:45 PM »
My amp is a HRM Bluesmaster 100 running into a Zilla 1x12 semi open back cab with EVM12L and Tayden diffuser.

Guitar > 80's Jen Crybaby > Pitchblack tuner > Rangemaster clone > Zendrive > Modded Dano Chicken Salad (for vibe/phase) > amp

In the loop I have a Klein with a Boss CE2 chorus, an Akai E2 looper/delay & a Tech21 BoostRVB verb.

We play classic rock - Thin Lizzy, Rory Gallagher, AC/DC, Stones, Police, Quo, ZZ, Doors, VH, Skynyrd, Floyd, Tom Petty, Gary Moore, and some 'newer' stuff like Kravitz, Killers, Cult & U2.

Amp does it all with ease :/

These are defo not just jazz blues amps!

EDIT

Welcome to the forum Nik :/

Cheers

Kieran
« Last Edit: January 24, 2012, 07:27:44 PM by citizen » Logged
bobtastik
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« Reply #4 on: January 24, 2012, 08:04:43 PM »
Thanks Kieran, People definately seem to think these are a one trick pony because of the samey YouTube clips, and that couldnt be further from the truth they are incredibly versatile ! I too played in a covers band doing everything from Metallica to Lizzy to Sabbath etc with it. I bought a Soldano Hot Rod 50 a few months ago on reputation only, and I was so disapointed with it after all the hype, it just sounded dull and lifeless compared to the HRM.

Back to topic, I placed my effects in front of the amp except for the delay in the loop, my old Boss Micro Series Half Rack Delay is the only thing I have tried that doesnt affect the tone in the loop. I currently use Dunlop Cry Baby, Ernie Ball VPJr, TU-2, CE-5, Seymour Duncan Pick up Booster, Maxon OD-808 & Voodoo Lab Micro Vibe, powered by Voodoo Lab Pedal Power 2+
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Birmingham UK
Ceriatone OTS HRM 50 Head
Marshall JMP50 Mk2 master Model
Gibson R7 Historic
Tokai Springy Sound
Atlas Custom Les Paul
citizen
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« Reply #5 on: January 24, 2012, 08:49:11 PM »
Yeah the rack delay will probably be ok in the loop because I guess you can set in & out levels on it (or maybe because it runs at line level) - you'll need a Klein or C-Later (better) if you want to run any pedals in there. I tried a pedal delay in loop when I first got the amp and didn't have a buffer - sounded ok at bedroom levels but when I tried at gig volume it just wasn't happening.

Keep those vids coming - I must get someone to do one for our band Smiley

Rock on!
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bobtastik
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« Reply #6 on: January 24, 2012, 08:54:01 PM »
Here you go then, same gig with my Strat. Amp set exactly the same as with my Gibson !
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Birmingham UK
Ceriatone OTS HRM 50 Head
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Gibson R7 Historic
Tokai Springy Sound
Atlas Custom Les Paul
citizen
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« Reply #7 on: January 24, 2012, 09:08:04 PM »
Sweet! Lovely sounds

Sometimes I like the bright switch on with the Strat - depends on the room and how loud I'm 'allowed' to go on the amp..amp doesn't need it on when it's cooking.
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IndySouthPaw
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« Reply #8 on: January 26, 2012, 12:03:01 AM »
Quote from: bobtastik on January 24, 2012, 04:38:50 PM
Video of me using my HRM Link below:



You are right, it doesnt have to be Jazz !

Boss CE-5, Maxon OD-808 and Cry Baby up front, with Boss RDD-20 Delay in Loop, No Kleinulator/Buffer

Great tone man!  I love Medusa!!!  Great to hear and see what you are all playing.  Keep the posts coming!
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bobtastik
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« Reply #9 on: March 22, 2012, 08:31:24 AM »
Local Gig in Birmingham UK this weekend, giving my HRM a blast !!
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Birmingham UK
Ceriatone OTS HRM 50 Head
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Gibson R7 Historic
Tokai Springy Sound
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SoundPerf
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« Reply #10 on: March 22, 2012, 07:05:03 PM »
Man, that was Rock'n!!

The amp sounds excellent. Really tight band, and the singer/bass player was great.
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Chris

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Avatar 2X12 w/WGS ET-65 & Veteran 30
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bobtastik
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« Reply #11 on: March 23, 2012, 10:58:21 PM »
Thanks Chris, A bit later we had a special friend jam with us !!!
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Birmingham UK
Ceriatone OTS HRM 50 Head
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Gibson R7 Historic
Tokai Springy Sound
Atlas Custom Les Paul
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« Reply #12 on: March 24, 2012, 05:35:29 AM »
Ol man, it doesn't get much better then that!!! Cool

That's a proud moment. The harmony parts you and Uli were doing were sounding great.

That guitar of Uli's is so wild.

It's good to see the U.K. still has a solid rock & roll fan base. Lord knows it's not happening here. Too much garbage influencing everything in American music lately. America needs another revolution. 
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Chris

Ceriatone HRM 50
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Avatar 2X12 w/WGS ET-65 & Veteran 30
TC Electronic 2290
2001 PRS McCarty
2010 PRS 513 Swamp Ash
Tacoma JK50C
Seagull S12+
plasticvonaband
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« Reply #13 on: March 25, 2012, 07:28:02 PM »
Great playing, guys!!

To answer Indy's question:

In the front of my HRM Bypassed Bluesmaster  i use a BYOC Germanium ESV Fuzz, A Way Huge Swollen Pickle Fuzz, a Boosta Grande, and occasionally a Tube Screamer. If i'm not using Fuzz I usually use the Boosta Grande to push the front end of the amp a bit.
In the Loop I use a Roland RE-20 Space Echo and a Holy Grail Nano Reverb. I will be adding a BYOC Analog Chorus and a BYOC Vibrato to the loop soon. I'm also gonna add another Boosta Grande in the loop to push the output side of the amp as well to get a different sound.

I play Blues, Rock, Jazz, Hippe Rock, Psychedelic Rock, Fuzz Space Rock, Classic Rock, etc.

Gregg
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Overdrive is like peanut butter. Some like it crunchy, some like it creamy.
Bluesmaster 50 2x12 combo and some guitars.
bobtastik
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« Reply #14 on: March 25, 2012, 08:54:25 PM »
Hi Gregg, Are you using the effects mentioned in the loop without any kind of buffer (C-later etc) ? If so, no tone degradation ? Cheers. Nik
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Birmingham UK
Ceriatone OTS HRM 50 Head
Marshall JMP50 Mk2 master Model
Gibson R7 Historic
Tokai Springy Sound
Atlas Custom Les Paul
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